Does anyone really care what I have to say on the subject?

While last week I talked about wondering if anyone really cares what we have to say, this week I want to address a very common fear among writers: Fear of Marketing. Basically, this comes down to you wondering if anyone really cares about what you’re saying.

This is a very common insecurity among writers. In fact, I study successful people and I find this is a common insecurity among people in general—particularly those trying to grow a platform. While people on social media posting pictures of their dinner may make you say, “Tiff, people don’t worry about this at all. They assume we care about EVERYTHING.” The fact is, there is safety in posting the banal. You really don’t care if someone “likes” your cheeseburger picture. However, when you post something that is really meaningful to you, that is a whole other matter.

AND, to be truthful, asking this question is critical to marketing. It is really a question you must seek to answer.

So, I don’t actually know if someone cares. You need to take time and find out if they do, who they are, where they are, why they care and then set out to reach those people. Answering this question will tell you if this is a book marketable to major publishers or best reserved to a niche press or even self-publishing. The fact is, since you care others might. It is your job to find out.

One caveat here…If it is a very highly personal specific thing like, “How my life was so hard and you should feel bad for me”…there may not be a market. While you guys like me, it is very highly unlikely that you would want to read a book about my life listing one story after another. It would get old. If, however, I pulled specific lessons from my story which would help you to live a happier, better, more productive life, that is something you might want to read. So, remember that when you’re trying to figure out if there is interest, consider how you might be able to shift the focus of your work slightly in order to make your story more interesting/useful to people without changing the meaning and without “giving the truth scope” as Chaucer said in the movie “A Knight’s Tale”.

So, I guess more than answering a question this week, I pose one to you. Does anyone care about what you’re writing?

This week I want to tell you about my “Earn More with Your Writing Bundle”. It includes audio and print media to help you look at your writing and marketing an entirely different way. It is only $5.99 as a digital download by following this link. As with my other digital products, you can earn money by letting others know about them on your own blog or website.

See you next week.

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Do I have enough to say to fill a whole book?

This week I emailed one of my devoted readers and asked him what questions he had that could be addressed on my blog and he gave me some great ideas. [Thanks again, Kevin.] Based on the things he said to me for the next few weeks I’m going to give some tips on common questions and fears writers have. This week it will be the fear of actually writing an entire book.

The truth is that writing a book can be a pretty intimidating task. There are lots of things to consider beyond how to put 65,000-85,000 or more words on a page without degenerating to writing the same sentence two or three time. In fact, those longer genres—like speculative fiction—lend themselves to books of over 100,000 words on a consistent basis. That is a considerable amount of writing!

Then you add to that the story itself, craft, character arc and character development…wow!!

And if you’re not writing fiction you’re still on the hook for about 50,000-70,000 words that need to be informative without turning in to a book that sounds like the adults in a Charlie Brown cartoon.

So, here are some dos and don’ts for getting those words on paper and overcoming the most intimidating pieces of tackling a book:

-Don’t say stuff just to say it.

By this I mean don’t waste the reader’s time with filler. Don’t elaborate unnecessarily just because that blinking cursor is making you question yourself. Instead, look for stories that succinctly illustrate your point [in non-fiction] or a plot twist that helps to deepen the character in order to lengthen your book.

-Don’t look at the book as a whole, look at each part

Whether a novel or a non-fiction book, that long word count is made up of a series of smaller pieces. Concentrate on your immediate task and let the book form naturally. That means if you are writing a scene in a novel, know how that scene is advancing the plot and concentrate fully on developing that scene. If it is a non-fiction book, then concentrate on illustrating that point and building clear take-away for your reader.

As you make each of these points, you will start to create a longer work.

-Make sure you know enough about your subject area to connect fully with readers and if you don’t, stop and take time to learn.

Sometimes it is because we’ve run out of information and feel like the topic—or scene—isn’t complete so we sit there and stare. Rather than do that, write down in REALLY poor writing [what I call “vomit on paper”] the point you want to make and then take time to research and then go back and revise.

Are you still not fully convinced this will help you? Well, let me illustrate this way. On this blog for the year 2014 I have posted something nearly every week. I keep these blogs in a single file on my hard drive so I can quickly scan them and make sure I’m not repeating myself and to have a backup record. The total word count for these blogs to this point is almost 17,000 words. That is between 1/3 and ¼ a standard non-fiction manuscript. And I wrote them in under 30 minutes a week. While there is more time that goes in to researching and preparing, the reality is in about 1 hour a week focusing on specific take-away I have written 1/3 of a novel in about 9 months.

So, instead of feeling overwhelmed by the volume, focus on the point. And if you’re still low on word count, find a good content editor or critique partner to go over your writing and help you clarify and expand.

If you have questions you’d like me to answer on the blog, never hesitate to use my contact page to ask things that could be addressed on the blog. Just let me know that this is a blog question and not a personal one. And if you would like to know more on this topic I have an audio teaching titled, “How am I supposed to write 60K words?” available for $1.99 at this link. Remember, by signing up to be an affiliate you can help me spread the word about writing and earn money yourself. A win-win. For details follow the product link and look at the bottom right side of the page.
Spend some time this week writing and I’ll see you same bat time, same bat station next week!

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You know this is the key to great writing: Show don’t tell.

This is the last week of our Back to School blogs to help you change your mindset and take you a grade higher in your writing. If you’ve enjoyed this focus on writing craft, go back and read some of the other blogs for the month of September [or any of them really, just click the category "Craft" on the website home page.]

If your character cannot see a way out then that becomes her truth, so you state it as truth, not conjecture.

(Source: Wisdom from Writing Career Coach: Vol I. pg. 56)

Okay, all of my current and past clients are likely nodding their heads right now. They’ve seen me say this more times than they’d even want to count. Look at what this comment is saying. If you have an opinion that you view as fact, in general, you don’t say, “It is just my opinion…” or, if you do say that, you don’t mean it.

We each see what we say as truth. It is our truth. Whether that truth is that orange is an ugly color for wallpaper or the age a child should be left home alone for the first time, you are stating something that guides your life and actions. That means don’t say, “There didn’t appear to be a good way to do this.” When the character really believes, “There is no way out.”

Wait, scratch that, look what I just said. Do you see a circumstance where you COULD do that? What is it? If you are trying to reveal something about the character’s lack of honesty. If they are saying one thing and believing another, that is a useful bit of character development. You can use it that way…but you can’t use it for all characters.

Remember, if I think a dress is ugly my thought—my private thoughts—will simply be, “That is an ugly dress.” They don’t need to be italicized. They don’t need to be articulated. Simply let them be put in narrative summary when you are in that character’s POV [point of view]. Now, go write!

If you’re interested in owning the full book and having dozens of tips like these you can purchase a digital copy of Wisdom from Writing Career Coach for less than $3 by following this link. Or You can get a print copy for only $10 which includes shipping by clicking this link.

Or you can reread these same lessons over and over for free here on the blog. Revisit them often and see how your thinking changes over time as you develop as a writer. See you next time.

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Have you ever had feedback like this on your writing?

My goal with the lessons from this month is to try to help you think about writing a bit differently. I hope when you look at your manuscript you’ll start to recognize ways to strengthen your writing because of the tips in my book that I’m offering here. I also hope you start to notice these things in the writing of others when you read.

Today our lesson includes some general feedback I’ve given on a number of manuscripts. How can you use it to improve your writing?

Try to use active verbs as much as possible. When you say, “The cat was put down gently” you give me information. When, “She placed the tiger kitten on the blanket and tucked the edges around it.” You come closer to experiencing the moment.

(Source: Wisdom from Writing Career Coach: Vol I, pg 42.)

***

We all have experience with recognizing something but not knowing why. I suggest playing with that in your writing. It is a very human quality and makes us—as humans—try to solve the mystery too.

(Source: Ibid, Pg. 43)

I wanted to share two different things in this lesson because this is an example of the kind of feedback I give clients when I review their manuscript. The first comment is about showing and deepening the motivation of the character to help us learn about that character without saying things directly.

The second reminds you to play on common human experiences to help connect with the reader. This is a wonderful writing technique. In fact, I just watched a documentary on Jane Austen and one thing the experts said time and again was the reason she was able to connect with the reader was her universal themes and her ability to connect to things we all have in common. Do that in your writing too.

If you’re interested in owning the full book and having dozens of tips like these you can purchase a digital copy of Wisdom from Writing Career Coach for less than $3 by following this link. Or You can get a print copy for only $10 (which includes shipping) by clicking this link.

Next week we’ll look at another lesson. See you then.

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The key to getting new readers is to craft a strong opening.

This week we will continue the lessons to help you improve your writing. You want to have a strong opening to each book, each chapter, and each scene. Remember the first page of every section should make the reader want to keep reading. The first page is about getting them to buy the book. The first page of each chapter/scene should make them say, “Okay, I can read just a few more pages before I put it down.”

You have to SHOW the reason for the reaction before you show the reaction. When writing an opening, however, you can sometimes play around with this by showing a reaction to something “off camera” that a reader doesn’t yet see.

If it is off camera then the reader needs to be brought in on it eventually, but that can be an effective introductory question—if written right.

(Source: Wisdom from Writing Career Coach: Vol I. pg 41)

Admit it! You like to throw the rules out the window and do things your own way. This lesson tells you that you can do exactly that…sometimes.

If you’re interested in owning the full book and having dozens of tips like these you can purchase a digital copy of Wisdom from Writing Career Coach for less than $3 by following this link. Or You can get a print copy for only $10 which includes shipping by clicking this link.

Next week we’ll look at another lesson. See you then.

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Let’s have fun and fool your reader

Since we weren’t very active here this summer I’m doing a bonus and posting TWO blogs this week to jump start things. I hope you enjoyed yesterday’s blog. If you didn’t have a chance to read it, you should. You can do that by going here.

Yesterday we began with lessons from my recently released book, “Wisdom from Writing Career Coach.”

It is as much what you leave to assumption as what you say outright that will lead your reader down the false roads that later give those great, “Wow, I didn’t see that coming” moments that everyone loves in a book.
(Source: Wisdom from Writing Career Coach: Vol I, pg. 34)

 

Oh, this is a good one because I so often see writers over-explain things that slow down a story. I also see writers spend so much time CONVINCING a reader that something ISN’T true that the reader has no choice BUT to know it is true. Do you know what I mean? It is like someone saying over and over, “Do you get it, huh? Huh? Do you see it? Really? Do you?” It gets insanely annoying to your reader. Instead, let the reader have fun by being fooled occasionally and that is because you’ve allowed them to assume the wrong thing.

If you’re interested in owning the full book and having dozens of tips like these you can purchase a digital copy of Wisdom from Writing Career Coach by following this link. Or You can get a print copy for only $10 which includes shipping by clicking this link.
Next week we’ll look at another lesson. See you then.

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A Tip to Engage your Reader

It is back to school time, so for the month of September I will share some thoughts from my recently released book, “Wisdom from Writing Career Coach” and expand a bit on the lessons to get you in the writing mood.

When writing emotions let us feel motion and growth. Stronger emotions like jealousy, greed, hate, love, loss…well, any emotion really. Let us feel it snake in and then the character pushes back. If we’ve fought something, like love or trust, let us feel it grow gradually deeper. Negative issues, like fear or jealousy, need to gradually weaken. Let us feel that in the story by the way the character responds each time the emotion rises inside.
(Source: Wisdom from Writing Career Coach: Vol. I, pg. 16-17)

Think about that for a moment. When you’re writing a story don’t let your character have these sudden “a-ha” moments where everything is totally clear. That isn’t realistic. We have those, but not often. In fact, when we have them we often reject them first. The idea just keeps eating at us until finally we start to realize that this might be fact. Then we take that fact and think about it for a long time before it finally is accepted.

Of course, if the fact is shared by someone you completely trust, everything I say is 100% out the window. We tend to accept as fact what people we trust say…right?

The point is, there aren’t easy answers in real life, so don’t have them in your book world. Reread this bit of wisdom and incorporate it in to your character development.

If you’re interested in owning the full book and having dozens of tips like these you can purchase a digital copy of Wisdom from Writing Career Coach by following this link. Or You can get a print copy for only $10 which includes shipping by clicking this link.
Next week we’ll look at another lesson. See you then.

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Writing a biography or an autobiography

By Tiffany Colter

I’ve regularly edit memoirs, biographies and autobiographies. I think studying the lives of others is a great way to learn and I personally read about a 3-4 books about the lives of successful people each year. In doing this I’ve learned what really makes a great bio/autobiography and what can really mess one up. I’ve listed a few things here to help you.

 

1. Remember it is about life lessons, not gossip.

It is tempting to share a bunch of stories that are meaningful to you because you like the stories, but that really isn’t the point of a biography. A biography will share information about a life—or a period of time in someone’s life—but the purpose is generally to share lessons that can be learned from that life. If I just told you about planting a garden on Saturday, it is nothing more than a story. It may be interesting, but it won’t change you. The story won’t stick with you any more than any of the other stories you hear that day. If, however, I tell you that the day I planted the garden marked seven years from the toughest struggle our family faced and that seven years ago we had no food, that story of a garden starts to have more meaning. If I tell you even more about the circumstances and how that seven years has changed me, those lessons will stick with you. Have a reason for the story. Don’t just tell random things.

 

2. Focus on the lesson and use illustrations.

This ties in to the first thing and that is you can add random stories if they are illustrations. Honestly the best example of that that I’ve seen is a book called “My Wish” by Mary Gustafson. I had the pleasure of editing this book. It is the authorized biography of Bhante Sujatha, a prominent Buddhist Monk. Her story did an incredible job of sharing random snippets of this Monk’s life and contrasting it to the life he now lives. Even if I hadn’t edited this book, I would recommend it for its unique style and beautiful craft.

When you are working on your own book, consider the lesson you want to make in each book, each chapter and each scene. Then make sure the illustration you’ve selected will help you do that.

 

3. The book doesn’t have to be a straight chronology…and it really shouldn’t be one.

Don’t feel like you need to start at a person’s birth and go the whole way through their life. Look at the key lessons that make this person’s life worth knowing about and then select the stories that will do that. Put the stories in an order that makes sense and that will lead up to driving home the LESSON and then let that be your chronology. That may mean that you sometimes jump around a bit in their life. That is okay, as long as the reader can follow. Other times this will be a straight chronology. That is fine too, as long as you don’t try to tell us about everything that happened during that time. Pick out key events and focus on those.

 

4. Be truthful.

Don’t get tempted to embellish, make up, tweak, or otherwise write something that is a lie. I understand that creative non-fiction allows for building dialog that may not be word for word what was said. That is not what I mean here. I mean, if you never hit the winning homerun in little league. Don’t say you did. If you don’t remember the exact words your dad said to you on graduation day that is fine. To say you were 5th in your class when you were really somewhere in the top 20 is a lie. By extension, if you had a very small graduating class [like a homeschooling group] where you were #3 of 10, don’t—unless it was clear you were joking—say that you were in the top 3%. It may be truthful, but you’re attempting to mislead. We may remember the memoir “A Million Little Pieces” where Oprah laid in to an author who lied about his memoir. Don’t be that guy!!!

 

5. Get permission.

If you are talking about someone by name, it is generally best to get their permission. If you are discussing siblings or parents or others who would be VERY easily identifiable by scanning your Facebook page, it is best to at least let them know they’re mentioned. If they are shown in a negative light…you might want to ask a lawyer what you need to concern yourself with in using them. My goal here isn’t to give legal advice—that isn’t my area. I’m simply telling you that it is generally smart to give people a heads up…and get their permission in writing to save yourself possible legal issues down the road.

 

I hope this will help you with not only writing biographies and memoirs, but also using illustrations in all of your books and stories. The key is to keep the story interesting, connect with the reader, and don’t ramble [these are all dangers when dealing with a person’s life].

And if you’d like to know more about Mary Gustafson’s book, “My Wish”, email me using the contact page on my website, and I’ll be happy to put you in contact with her. This isn’t a paid advertisement. Just a proud endorsement. Smile.

 

See you next time, Tiff

Your Coach for the Journey, Tiffany Colter, The Writing Career Coach

Don’t miss a single posting! Subscribe here to receive these postings by e-mail. Tiffany Colter is a writer, speaker and writing career coach who works with beginner to published writers. She can be reached through her website at writingcareercoach.com.

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What about Crowd funding for my book?

By Tiffany Colter

 

Now this is a really interesting topic. I have talked about it previously and there are lots of websites that will teach you about crowd funding. I just want to point out a few times when crowd funding might be a good option.

1. If you have a book that will reach a specific demographic that is underrepresented.

Sometimes there are topics that have a readership that is a bit small for a publisher to reach. For example, I’m the mom of a deaf teenager. That demographic is certainly large, but not large enough to catch the eye of a traditional publisher. If I wanted to write a book that reaches that specific group and need funding—of a few thousand dollars—crowd funding could be a good option for me.

2. You are already recognized in the book you wish to reach.

Maybe you speak regularly on a topic and people are clamoring for you to finish your book. Unfortunately, you don’t have the time to finish the revisions yourself and you don’t have the money right now to pay someone. This would be another great way crowd funding could work. By offering a copy of the book as an incentive for donating—and possibly personal coaching for higher donations—you can overcome that hurdle to put together a book that others want.

3. You don’t need much money to hit the next step.

Although many times crowd funding is in the thousands, your need might be only a few hundred dollars. In that case, you might need 20 donors or less—a relatively low need in the grand scope.

4. If you have time to commit to it.

Like anything else, this will take time. During the week or more that you have your fundraiser going, you need to contact people, get the word out, and follow-up. Not only that, but if you get the funding, you must take whatever time will be necessary to get the project done. If you take the money and don’t deliver, that is fraud. Don’t do that.

If after reading this you really think you need to look further in to it, I would encourage you to do that. I’ve had a number of clients cross the final financial hurdle by using crowd funding. Now they have their books done and selling. For them it was the difference between being able to finish their book and not finishing at all.

Set a reasonable expectation. Create incentives others would want. Remember to take in to account fees. Research successful campaigns. Commit to the time necessary to get it done. Then go for it.

 

Your Coach for the Journey, Tiffany Colter, The Writing Career Coach

Don’t miss a single posting! Subscribe here to receive these postings by e-mail. Tiffany Colter is a writer, speaker and writing career coach who works with beginner to published writers. She can be reached through her website at writingcareercoach.com.

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How do I know what to charge for my writing?

By Tiffany Colter

Clients often ask me during coaching sessions how much they should charge for various kinds of writing. This isn’t an easy question because there are so many different factors. I also tend to charge on the low side of average, so when I post my rates I sometimes make people mad. So, let me give you a few things to consider when deciding what to charge for your writing.

 

1. Volume

If I’m writing a blog of 200 words, I will charge more per word than I do if I’m ghostwriting a book. That is because there is a certain amount of research and learning that goes in to becoming familiar with any topic. In a book that is spread out over more words—even though you need a deeper understanding for a book than a blog. The fact is you need to be compensated for your time writing—and part of writing is the research.

 

2. Kind of writing

Are you being asked to completely come up with the topic and material yourself or are you being given a rough draft that needs to be substantially rewritten? I charge about 3 times as much to write a book from notes and interviews as I do to write a book that is in rough draft form and needs a considerable amount of rewriting. And on that, when I’m rewriting I charge by the word count before or after WHICHEVER IS MORE. That is because if I am tightening up the writing, I am still rewriting. If a book is REALLY wordy, I may delete 27 words and rewrite it in 12, but I still did considerable work. Likewise, if a book simply doesn’t go deep enough and needs to have a considerable amount of information added, I’m not going to be unpaid for all the content I added.

 

3. By the word or by the hour?

There are different schools of thought on whether you should charge by the word or by the hour. I prefer by the word, so I can give the client a reasonable idea of what they will pay. You need to decide what will work best for you. The key is to give a quote that is a reasonably good estimate that will be no more than 10%+/- what you quote. If you say it will be about $1,000 and you see it will be $1,100, let them know as soon as you realize this, but it is in the margin. If you see it will be $1,500, then either they didn’t give you a reasonable representation [in which case you will need to explain this to them and let them know the additional fee] OR you did a poor job of estimating and I wouldn’t go above the $1,100.

Bottom Line:

Can I really make money at my writing? Go back to my March 18th blog to see a bit more on a related topic, but the fact is many people earn a reasonable living at writing. The only difference is the usual article, newspaper; magazine route isn’t always the way. Now it is more web content, newsletters and marketing copy.

Know what you need to earn. Make sure you’re able to produce at a reasonable pace to earn that. Find a few key clients you can focus on [remember my June 10th blog] and develop your skills.

 

Your Coach for the Journey, Tiffany Colter, The Writing Career Coach

Don’t miss a single posting! Subscribe here to receive these postings by e-mail. Tiffany Colter is a writer, speaker and writing career coach who works with beginner to published writers. She can be reached through her website at writingcareercoach.com.

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